Get Gritty, Get Gorgeous – The Bourne Legacy

The Bourne Legacy - Official Poster - from IMDB.com

The Bourne Legacy – Official Poster – from IMDB.com

The Bourne Legacy (2012)

Director: Tony Gilroy
Writers: Tony Gilroy (screenplay & story), Dan Gilroy (screenplay), and Robert Ludlum (novel & inspiration)
Stars: Jeremy Renner, Rachel Weisz and Edward Norton

The Bourne Legacy is the fourth in the Bourne franchise but it also the first movie with the main character of Aaron Cross (Jeremy Renner) instead of Jason Bourne (Matt Damon). The story picks up Cross as he is on a training exercise for the “program” in Alaska, and while Jason Bourne is running rite in Europe and America. With Bourne’s eradict behaviour and the light being shone on the CIA’s operations, they plan to shut the “program” down. This is where we find ourselves thrown into the action with Aaron Cross as he tries to survive the wildness of apparent death and the dependence on viral tablets that have been part of his treatment in the “program”.

After loving the Bourne Identity, Supremacy, and Ultimatum so much I was cautious walking into this film. But I came prepared with low expectations after reading a bad review from Empire Magazine. I shall never trust their reviewers again, and you will soon see why. I sat in my cinema seat with popcorn in hand as the lights dimmed and the familiar image of a body floating in water appeared on screen (a similar shot was used in The Bourne Identity to open the series). This time however it was Aaron Cross, diving into the depths of a river in Alaska. He emerged from the water as a wet, rugged, bearded, wild man in the form of Jeremy Renner. He wrapped himself with a blanket and stood in front of a fire on the icy shelter next to the river as the camera panned out to show us that he was standing in the middle of a snow covered wilderness. And it was at this moment that I knew the film was going to break my low expectations by far.

Renner plays a more vocal character than our beloved Bourne, however he performs with such strength, ferocity and charisma that you can’t help but be on his side as he fights to live. The story unfolds in two parts and by the end of the feature I felt like I had started in a different movie than the one I had ended up in. It wasn’t as cleverly devised as the originals but it captures the audience and takes them on a ride of adrenaline just the same. The action sequences are just as intense as in the originals and there is an added element of remorselessness in a lot of the action that wasn’t there in the originals but left me a little shaken and shocked. Renner surpassed my expectations of wonderful as he continued to show his unbelievable ability to be a rough and tough action hero. He isn’t your usual type of handsome for an action figure but he becomes more handsome the grittier he gets. And when sitting across from the gorgeous Rachel Weisz the screen screams sexy at you. The pair of actors make a formidable force on screen and with the added bit of evil provided by Edward Norton you can’t help but be captured by this film. Norton provides boundless amounts of terrifying intelligent evil to the movie and I would never want to work for his character because I would just end up in tears every day out of fright.

The Bourne Legacy follows the trilogy with a faithfulness to Ludlum’s world and provides a great next installment for the series. It may not be better than the original three but it certainly matches them for action and adventure.  I can’t decide now whether I prefer Bourne or Cross which is testament to Renner’s performance as Cross. He is charming and brilliant as well as vulnerable and fierce. The balance between Renner and Weisz solidifies the film and the story really makes you champion their cause. I really enjoyed this film and will definitely be seeing it again as soon as possible. Go and experience the awesome that is Aaron Cross and the irresistible Jeremy Renner.

Oh look, ducks! A satisfying look at women in Victorian England – Hysteria

Hysteria - Official Poster - from IMDB.com

Hysteria – Official Poster – from IMDB.com

Hysteria (2012)

Director: Tanya Wexler
Writers: Stephen Dyer (story & screenplay), Jonah Lisa Dyer (story & screenplay), and Howard Gensler (original story)
Stars: Maggie Gyllenhaal, Hugh Dancy and Jonathan Pryce

It’s amazing to think that we were once at a point in society when “germs” was a term that only those who were highly educated and kept up with the latest medical literature knew. It’s also amazing that once the cure to pretty much all of women’s ailments came in the form of induced orgasm. For a topic that is so controversial and frowned upon by respectable people it is amazing that Hysteria was such a joy to watch.

Hysteria is based on a true story of a man named Mortimer Granville (Hugh Dancy) who found himself as the accomplice to Dr Robert Dalrymple (Jonathan Pryce), a doctor who specialised in women’s health, mainly the treatment of hysteria, a diagnosis of women who had all sorts of symptoms and was treated by helping the women by ridding them of these ailments in a most unusual way. Dr Dalrymple has two daughters, Emily (Felicity Jones) who is very sensible and all of what a true woman should be, and Charlotte (Maggie Gyllenhaal) who is volatile, erratic, a fervent suffragette, and who runs a shelter for women and their children and teaches them about hygiene, literacy, and numeracy. Charlotte is everything a woman of the Victorian period should not be.

As Granville continues to serve his patients he himself suffers an ailment in his hand which makes him unable to fulfill the procedure required to cure his patients of hysteria. It is with the friendship of Granville and his inventor friend Edmund St. John-Smyth (Rupert Everett) that holds the key to Granville’s continued employment and ultimate success.

But this film isn’t about the invention of the vibrator as the posters and blurbs will tell you. Hysteria is about the ill-treatment of women and their capabilities even to this day. Gyllenhaal’s vibrant and passionate portrayal of Charlotte Dalrymple is inspiring as you see her struggle to change the culture in which she lives by simply caring for those less well off. It is through her servitude to the lower classes that she makes a huge difference in the long run for those she helps. She is a socialist, a libertarian, a woman. It is this characterisation which holds the entire film together for me. It reveals the true nature of what was going on at the time and sheds some light on what is still going on in our society today.

This film is light-hearted and fun. Rupert Everett is brilliant as ever and Hugh Dancy plays an uptight Brit most splendidly. I think this story could only be told faithfully in a British and prudish manner as it deals with a subject that could be twisted and sexualised and thus lose a lot of its appeal. It is told in a period manner with all the nuances of innuendo and suggestion and it is truly satisfying in the way it addresses an awkward invention and period in history.

It’s not the greatest film ever made, nor is it probably even up in the top 500 but it is delightfully light and well performed by all involved. Top marks go to the costume and set designers of this film. It is gorgeous to watch. And Maggie Gyllenhaal is so wonderful as a Brit that I wish she was more highly acclaimed than she is. She is a marvelous actress and  is charming to watch. I’d go see it just for her.

For a film that could truly be awkward and unappealing, Hysteria offers a pleasurable look at the invention of the modern vibrator and the beginning of women’s health in Britain.

Films I Watch A Million Times Series – The Bourne Series

The Bourne Identity - Official Poster - from IMDB.com

The Bourne Identity – Official Poster – from IMDB.com

The Bourne Identity (2002)

Director: Doug Liman
Writers: Tony Gilroy (screenplay), W. Blake Herron (screenplay), and Robert Ludlum (novel)
Stars: Franka Potente, Matt Damon and Chris Cooper

There have been some blessings that have come with growing up with an older brother who loved Steven Segal and Bruce Willis films. One of those blessings was the nurtured love of action films. There is something incredibly satisfying about watching the good guy triumph over the evil, especially when the evil is the US government.

Jason Bourne (Matt Damon) is a man without memory of who he is or why he knows he knows how to do a myriad of things including speak multiple languages fluently and can take down fifty armoured guards without a second thought. He is searching for his past and dodging death as he seeks to live a future free of the command of those who once controlled him. Jason Bourne is a man not to be trifled with.

As with most action films there isn’t a lot of dialogue, but there sure is a lot of acting going on by Matt Damon and his lady accomplice played by Franka Potente. The relationship that spawned out of need turns into a relationship of shared experience. There is a wonderful crafting of this pairing that takes place throughout the film which makes it genuine and more meaningful than the sloppy creations in your B-list action films.

The story of Bourne and his adventures are based off Robert Ludlum’s popular novels but carry more of the characterisation than of the actual story in the novels. But I believe this is for the better as the complexity of the novels take away from the sharp immediacy of the films. The Bourne Identity is the first in a trilogy (soon to be added to by a fourth, The Bourne Legacy – out August 11th). The Bourne Identity begins the saga of Jason Bourne and it also is, in my opinion, the best of the films. You really ride along with Bourne as he discovers parts of who he is, where he has been, and who is after him. With the carefully sequenced and choreographed action scenes filmed mostly on handheld cameras it provides for a rocky ride but intensifies the scene and provides what would be quite a real perspective on the action. Damon’s performance is pensive and withdrawn but comes across powerfully as he expresses his character’s strength, confusion, love, and vengeful nature.

I am a little cautious about getting my expectations up for The Bourne Legacy because the Bourne Trilogy was so gritty and wonderful. It will be interesting to see where they take it and if they stick to the books that carried on after Ludlum’s death. I am very excited to see how Jeremy Renner goes in his lead role in this film (no he’s not a recasting of Jason Bourne, it’s a different character). Renner’s really becoming a new action man of film and it’s going to be interesting to see what aspects of Damon’s portrayal he picks up on and which he reinvents for himself.

Why Rory Williams Is My Hero – Doctor Who

Doctor Who - Series 6 Poster - from IMDB.com

Doctor Who – Series 6 Poster – from IMDB.com

Doctor Who (oh since forever…jokes, 2005+)

Series Writer: Steven Moffat and a bunch of his friends.
Stars: Matt Smith, Karen Gillian, Arthur Darvill and everybody who has ever acted in Britain basically.

It is not always the case that a secondary character can transform everything you think about a show. It was one line, it was in a normal episode but it changed the way I forever thought about Doctor Who. Rory Williams told the Doctor “You don’t know how dangerous you make people to themselves when you’re around.” From that moment on Rory Williams stole my heart and became my favourite Doctor Who character of all time. He trumps Amy Pond who is fabulously feisty and he trumps River Song who is the woman I wish I could be, and he trumps Donna Noble who proved herself to be so normal and yet so spectacularly special (I’m just gonna skip over Rose Tyler and Martha Jones). Rory tells it like it is. He is the male companion the Doctor never wanted but who he comes to treasure as a moral and ethical compass.

For a long time I watched Doctor Who for the adventures, for the friendship of the characters, and for the Doctor’s extravagance and wonderful charisma. It is a show that has been able to hold captive audiences for multiple generations and made the transition from black and white television to colour to HD and lived on. The production value may have gone up but the heart of the show remains the same. It is, at it’s core, a show about the wonder of humanity. For me, Rory embodies this as the character who is humanity at its best and most noble.

Doctor Who has for a long time been my favourite show. From the moment it was reincarnated by Russell T. Davis in 2005 to today and the imminent arrival of Season 7 on our silver screens, I have been in love with the Doctor. When Steven Moffat took over writing in 2009 after having written some of the best episodes in previous seasons, including my favourites “Blink” and “Silence in the Library”/”Forest of the Dead”, I was overjoyed. I have loved Moffat’s writing since a kid, even though I hadn’t connected the dots until he started on Doctor Who – this included his teen drama “Press Gang” which I have vivid memories of as a child. I’ve already written about my love of Moffat (see my Sherlock review here) but it has to be said that Steven Moffat and Matt Smith’s teaming have brought Doctor Who to a new level of awesome. It’s a darker and more philosophical show when Moffat writes and collaborates with people and it provides a deeper level of intrigue than usual. There are so many moments whilst watching Doctor Who when I find myself thinking about the meanings of life and what it means to be a human. This isn’t necessarily the case in every episode but the more I watch the more I find the multifaceted nature of Moffat’s story lines and scripts. The way he weaves story lines together across multiple seasons is extraordinary and I am constantly awed by his genius.

Arthur Darvill as Rory in Doctor Who - Let's Kill Hitler - from Tumblr

Arthur Darvill as Rory in Doctor Who – Let’s Kill Hitler – from Tumblr – myvintagelove

Getting back to my love of Rory though… Rory Williams is a character that is centred on love, loyalty, courage, and honesty. This is all buffered by an underlying insecurity which is truly endearing and really grounds those characteristics in a truthful portrayal by Arthur Darvill. Darvill’s performance as Rory is practically perfect because he balances the insanity of the Doctor and Amy Pond (Karen Gillian) with a warmness and gentle strength. It is the combination of all his courage and cowardice that makes him a true companion and my hero of television. He is who I would want to be if I was with the Doctor, both petrified and cynical but ultimately triumphant in the moment of need. He is someone that seems realistic rather than being carried away with the charisma of the Doctor, and provides the grounding that the Doctor needs when off on adventures and traveling in the TARDIS. Rory is my hero because he is the one companion who is not afraid of leaving the Doctor but who is loyal to a fault to his friends. Rory always seems on the outer with Amy and the Doctor but it is Rory who will always be there for both of them when night falls on their tale.

With the new trailer having just been released for Part 1 of Season 7 I am both excited and sad to see the end of the Pond’s. I think they have been great companions and I don’t think that will ever change, but I know I will weep for a week when the curtain is drawn on their adventures with the Doctor. Moffat will make it as painful as possible, this we know, but I also think it’s going to be a good ending to a wonderful period of the show.

P.S. I know most people think River Song gets her sassiness from Amy but I really think she gets it from Rory, he is the truly bold and brave one.

P.P.S You can watch the new Doctor Who series trailer here:
Doctor Who: Full Length New Series Trailer Autumn 2012 – Series 7 – BBC One

Films I Watch A Million Times Series – 10 Things I Hate About You

10 Things I Hate About You - Official Poster  - from IMDB.com

10 Things I Hate About You – Official Poster – from IMDB.com

10 Things I Hate About You (1999)

Director: Gil Junger
Writers: Karen McCullah Lutz, Kirsten Smith, and William Shakespeare (play “The Taming of the Shrew”)
Stars: Heath Ledger, Julia Stiles and Joseph Gordon-Levitt

I first saw 10 Things I Hate About You on a plane on the way to America as a 12 year old. I immediately loved it and it was always my dream as a teen to be like Kat. She was feisty, strong, had a mind of her own, and wasn’t going to be treated like a fool by anyone. It was her strength of mind that I loved most. She disregarded convention and was a rebel of a different kind. Kat rebelled against what was popular. In a lot of ways she was my first experience of indie, but it was more than that. I had never had much guts as a kid but heading into high school and becoming my own person (in my own mind anyway) was the chance to turn things around, to be a stronger woman, to stand against what I didn’t agree with, and be whoever she deemed she wanted to be. It was this that really connected me to the movie.

The relationships between all the characters are familiar to most as it is based on William Shakespeare’s Taming of the Shrew which has had numerous renditions and adaptations. And as with most Shakespeare plays it has been done well and not so well as it has stood up to the testing of Hollywood. There are some really fantastic adaptations of Shakespeare including Baz Luhrmann’s modern Romeo & Juliet and Kenneth Branagh’s Hamlet and Much Ado About Nothing. However for adaptations into a new period and without the Shakespearean dialogue you can’t go past 10 Things I Hate About You. It stands on its own two feet as a good teen rom-com-drama as well as adapting a brilliant Shakespeare. The characterisation of Kat and Bianca are beautifully fulfilled by Julia Stiles and Larisa Oleynik, let alone the performances of the young Heath Ledger and Joseph Gordon-Levitt as Patrick Verona and Cameron James respectively. It was imaginatively formed and it came together to produce a film that would continue to be enjoyed throughout the next 13 years.

This film helped shape me as a person and there have been so many moments when I have quoted lines from this film in real life and then realised that only the people who have seen it millions of times would know the significance of a line like “Sleep is good” or “Yeah, that’s a Toyota.” It also made me want to have curly long hair like Julia Stiles but that was never going to happen with my straight-can’t-be-curled-hair. It was the attitude of Kat and Patrick that I fell in love with most. It was the carefree attitude mixed with strength and loyalty that I strived for and in a lot of ways still do. It’s hard to be a people pleaser but it’s also incredibly hard to not let people’s opinions of us get the better of us and command what we do, say, wear, like, etc.

10 Things I Hate About You still makes me laugh, cry, and think hard about how I’m acting in my life. Kat is one of my heroines of literature and even though this says a lot about me and the kind of person I want to be, I care more like Bianca and obsessive like Cameron, and slightly less delusional than Mandelia, and simply awkward like Michael. It is a film where I relate to pretty much every character and they have come with me in this journey of life as influencing characters who have reminded me of what is real, what is true, and what is honest.

I lived vicariously through Kat as I grew up as a teenager and wanted to be like her. She was my role model. She had the attitude and the lifestyle I wanted. She was intelligent, driven and quick-witted. She wanted to escape to the big city. She didn’t want anyone controlling her life. She was brilliant in my eyes. I know she was never the best example or role model but I love her all the same.

What film or character did you love through your teens? Do they still influence you to this day?

The Beauty of the Inner City Life – Not Suitable For Children

Not Suitable For Children (2012)

Director: Peter Templeman
Writers: Michael Lucas (story), Peter Templeman (story), and Michael Lucas (screenplay)
Stars: Ryan Kwanten, Bojana Novakovic and Laura Brent

I’m not usually a watcher of Australian films because I cringe at either the over-done humour or overwhelming drama. I saw Not Suitable For Children as an audience testing session when it was just about to be released and was pleasantly surprised by what I saw and the reception of others in the audience. For one thing it is a film set in a place I know well and a culture that I am partial to. The film traces the story of three friends who live in the inner city suburb of Newtown in Sydney, Australia. The main character, Jonah (Ryan Kwanten, True Blood, Griff The Invisible), is presented with the end of his ability to procreate and decides he will go to any ends to secure an offspring of his own before his time runs out.

This film is incredibly funny, engaging, and genuine film which balances the unique drama of Australian culture and its humour. This film is the closest thing to a real life in this particular culture that I have seen and it is uncanny how beautiful this creation is. Ryan Kwanten, Sarah Snook (Stevie), and Ryan Corr (Gus) give incredibly compelling performances that make each of the characters absorbing. The friendship between these three characters is both funny and moving. It provides the grounding for the narrative and the complexity to the characters as they develop and interact with one another. There is an underlying truth and reality to this story which makes this film so wonderfully watchable.

This Australian film is unlike any other film I’ve seen and with good reason. It’s crafted with such delicacy and devotion to tell a story that hasn’t really been told before, and a story which touches on a subject that can both resonate for men and women. It tells the story of one of our base instincts, to reproduce, and the difficulties facing both men and women in our society. The idea of having children and raising them when our culture tells us both that we should and shouldn’t do such a thing, that it both takes away our independent lives and gives us “the greatest gift of life”, is a persuasive foundation for a story. The entire production of Not Suitable For Children has come together to produce a fantastic film that will speak to a lot of people across our country, and hopefully the world. I am really hoping this film does well as it is a genuinely fantastic viewing experience and a story that deserves to be told so wonderfully.

I totally recommend you see this film, even/especially if you don’t usually like Australian films, I would give it a real go because you will end up falling in love with these characters and both laughing and lamenting your way through the journey and grief that they experience together. Top points go to Ryan Corr for being the third wheel in this story as well and his incredible performance as Gus, he is a true champion of the inner city Sydney life and has impeccable comedic timing. Sarah Snook and Ryan Kwanten also provide genuinely wonderful characters and especially Sarah’s transformation through the film is inspired and inspiring. Go and enjoy a wonderful Australian film!

When Gotham is ashes, you have my permission to die – The Dark Knight Rises

The Dark Knight Rises - Official Poster - from IMDB.com

The Dark Knight Rises (2012)

Director: Christopher Nolan
Writers: Jonathan Nolan (screenplay) and Christopher Nolan (screenplay & story), David S. Goyer (story), and Bob Kane (Batman characters)
Stars: Christian Bale, Michael Caine and Gary Oldman

There are so many feature length films nowadays that should really have an hour of them removed because they try and do too much in the one film. Story telling has been lengthened and not always for the benefit of the film or for the audience. Christopher Nolan has perfected the art of creating a story that ebbs and flows in such a way that enthralls the audience for the entire time. The Dark Knight Rises is a long film but it didn’t feel like the 2hr 44min that it claims to be. It may be that I was just overly excited by the perfection of Nolan’s writing once again, or that the adrenaline and excitement got to me, but the film just picked me up and carried my imagination through it without a hiccup of lost concentration.

I have to admit I wasn’t that excited about going to see The Dark Knight Rises. Especially after being disappointed with The Amazing Spider-Man (see review here), I really didn’t want to get my hopes up too high to be crushed again. But to the contrary I was blown away and riveted the entire time. The narrative of this film is as brilliant as the previous two with its own little twists and turns along the way. I think I got so involved in the film that when one of the big reveals happened and my friend beside me whispered “I knew it!”, I was still rolling in the amazement of it. I now can see how one could have predicted the twists but I was enjoying the ride too much to take that step back and think about what was coming.

The amazing thing about this film was the audience’s response. I saw the film the second night it was out, with a packed theatre. There are particular moments in the film when the sound becomes basically silent and it was in these moments when I realised how involved the audience was in this story. There was barely a rustle of lolly papers or crunch of popcorn to be heard in the entire theatre. The power of this film was astonishing. It hooks you in and doesn’t let you go until those lights are lifted and you are jump started back into the real world. I know that this will not be the experience for everyone but it certainly was mine and I truly hope that you’re experience of watching The Dark Knight Rises is as thrilling as mine.

The only aspect of the film which I wasn’t completely satisfied with was that of the villain, Bane. The Dark Knight Rises is the end of a trilogy that has been acclaimed for more reasons than it’s brilliant story lines and production values but it has been shrouded in some sadness and drama of its own. The loss of the brilliant Heath Ledger before The Dark Knight came out in 2008 was tragic and the film will always hold that external loss to it. However the beauty of his performance in The Dark Knight was the thing that really gripped the audience. He played the Joker so incredibly well that I still have nightmares when I see pictures of him, let alone watch the film again. And thus, it was always going to be hard to create another villain as tremendously terrifying as The Joker. This is the only fault I find with the new film. The villain doesn’t give me nightmares. And this I attribute purely and simply to the voice of Tom Hardy (Inception, This Means War). Hardy’s British accent didn’t suit his villainous look. It wasn’t monstrous or maniacal, it was simply plain and had barely a hint of evil apart from the words which formed the dialogue. Maybe that was what was meant to be so terrifying about him, that he was just one of the normal people, that it wasn’t because he was a raving lunatic but that he was simply a causer of havoc and discord. But after Heath Ledger’s performance there was a certain level of expectation and it wasn’t fulfilled for me.

However, in saying that, it was still thrilling to see Bane unfold as a character and how Catwoman (Anne Hathway) was worked into the storyline as well. I really loved Hathway’s portrayal of the woman behind the spandex and how Nolan created her character outside the seductress. The other outstanding performance was that of Joseph Gordon-Levitt whose character was surprising and beautifully portrayed. Nolan tends to use the same actors throughout his work with good reason, they suit his dramatic style of writing and make what could’ve been a really cheesy line quite beautiful and genuine. The passion and depth to each character was explored throughout the drama and provided the reality that a comic film needs to be truly identifiable with our real world. It is the characters challenges, triumphs, and losses that make this trilogy the wonder that it is.

Yay, something new and different for us – The Amazing Spider-Man

The Amazing Spider-Man - Official Poster - from IMDB.com

The Amazing Spider-Man – Official Poster – from IMDB.com

The Amazing Spider-Man (2012)

Director: Marc Webb
Writers: James Vanderbilt (screenplay and story), and Alvin Sargent (screenplay), and Steve Kloves (screenplay), Stan Lee (Marvel comic book) and Steve Ditko (Marvel comic book)
Stars: Andrew Garfield, Emma Stone and Rhys Ifans

I was fairly excited about a new Spider-Man film. Emma Stone is one of my favourite actresses, she is my female crush and I was super excited to see her take on Gwen. After loving The Social Network and the amount of depth Andrew Garfield brought to his character in it, I anticipated a new depth to Peter Parker as well and was excited to see what he would bring to the picture. The previews made it look amazing and blockbuster beautiful. And so I took myself off to the cinema, got my popcorn, and sat waiting in anticipation for the film to begin.

I have to say, Emma Stone and Andrew Garfield lived up to my expectations. They were brilliant! As was Martin Sheen and Sally Field as Peter Parker’s aunt and uncle. Their performances brought a humour and emotional depth to the film which made it genuine and real. However, the narrative failed to capture my imagination to the extent that I was hoping for. I suppose after The Avengers I was expecting something as great, but it just didn’t do anything new. And I suppose there isn’t much new you can do with a comic adaptation because fans expect certain aspects of the original to be included. But apart from the monster being a different person from the 2002 adaptation, there wasn’t much new. Oh and Gwen is a much more likable character than Mary-Jane in my opinion, but that’s a secondary point.

I really wanted there to be more back story about Parker’s father and mother to be revealed. It was introduced as a main influencing factor into Peter’s reasoning for why he was the way he was but then was just used as a plot device to introduce him to Dr Curt Connors/The Lizard (Rhys Ifans, Notting Hill). It was disappointing to say the least. There was so much you could have done with that back story to influence Peter’s motives and the narrative could’ve been much more interesting. However, this was not the case. And maybe it is my naivety about Spider-Man the comics that means they couldn’t have explored that particular storyline anymore without outrage from fans but I thought it was underdone.

The film as a whole was entertaining and Garfield and Stone have a great, awkward chemistry on screen. There is a great scene in the halls of the school which is so endearing that from that point on you just love both the characters to bits. I really just wanted to giggle and jump up and down with Gwen after that scene and was on board with her character from that point on. Garfield’s Parker is likable, genuine, and understatedly hilarious at points. The graphics are brilliant and seeing it in 3D is kind of worth the extra dollars. The action scenes of Spider-Man flying around the city are possibly the best thing about this film, next to Stone and Garfield, which is also kind of sad when there was so much potential for more.

All in all the film was good but disappointing. I really hope the next one has a more interesting narrative to carry it along, and better character development. For a franchise that has done so well in the past it is surprising they didn’t put a more unique twist on this new adaptation. I suppose copyright pressures are what drove it to be made in the first place and so we can’t expect much but with all the talent in the world surely the next one will be better. Right?

Icky and Delightful – What To Expect When You’re Expecting

What To Expect When You're Expecting - Official Poster - from IMDB.com

Official Poster – from IMDB.com

What To Expect When You’re Expecting (2012)

Director: Kirk Jones
Writers: Shauna Cross (screenplay), Heather Hach (screenplay), and Heidi Murkoff (books)
Stars: Cameron Diaz, Matthew Morrison and J. Todd Smith

Pregnancy is one of those both wonderful and icky topics of life. It is wonderful because it means new life has been created, but icky because when you think about it, it means you’re parents have had sex, probably a lot of it too. And that thought is just well, disturbing for most. But when the movies portray pregnancy as just the simply wonderful then you miss the icky. This film shows the diversity of people’s experiences in pregnancy. It shows the ups and downs of having a baby and the ways you can get pregnant or have a kid. The best thing about this film though is Elizabeth Banks (The Hunger Games, 30 Rock). She is the thing that makes this film work for me. Of course the wonderful different stories intertwining are great and the stories from miscarriage to adoption to twins is delightful but Banks portrayal of a pregnant woman is exactly what I expect myself to be like when/if I have kids, except probably with a little more crazy. She plays the part of a struggling pregnant woman so well and I love it. Yes pregnancy isn’t always a struggle but it’s nice to see someone fall apart and for it to be okay. There are just so many moments when I belly laughed at one liners between Banks’ character Wendy and her shop assistant Janice (Rebel Wilson). There is something honest and real about the crazy world of pregnancy that Wendy lives in that is truly humourous.

The other part of this film that really shone out was the Dad’s group. The slo-mo entrance of the dad’s at the beginning and end made me laugh so much, mainly just because of the kid, Jordan, who was just adorable and slightly bizarre. It made me want to be a dad but it also made sense to me to see these dad’s complain about every little annoyance when they are with the guys because where else can they do that kind of thing but the reality is that they love their kids more than anything and there is a real beauty and honour in that simple fact. Yes dad’s get all the crap thrown at them because the woman pushed the kid out of their body, and yes they probably should take the crap, but they are also very much in their own rights to have a safe space where they can do what the women do when they get together: bitch and whine about how annoying their kids are. Of course this is what I imagine happens when mothers get together but please correct me if I’ve been lead to believe.

The humour, the love, the bellies, and the sweet moments of this film made me really smile at the end. It was a really enjoyable and fun movie to watch. It’s not the greatest film ever made, and it’s not the best romantic comedy out there but it is fun and funny and it’s a great film to see with some friends.

A Love Story Without A Marriage At The End – Brave

Brave - Official Poster - from IMDB.com

Brave – Official Poster – from IMDB.com

Brave (2012)

Directors: Mark Andrews, Brenda Chapman, and Steve Purcell
Writers: Mark Andrews (screenplay) and Steve Purcell (screenplay) and Brenda Chapman (screenplay) and Irene Mecchi (screenplay), and Brenda Chapman (story)
Stars: Kelly Macdonald, Billy Connolly and Emma Thompson

One of my favourite Spice Girls’ song is Mama because it’s not your usual soppy song but it’s about girls gaining understanding about their mums and what they have had to put up with as they have raised us. It speaks of a kind of love which is unique, frustrating, and that triumphs in forgiveness and humility. It is simply beautiful.

Brave is not your typical Disney Princess story. It’s the story of a girl who is faced with a situation which is unpleasant any which way she looks and with a mother who, although trying to do what is best for her daughter, is trying to push her daughter along a path that clashes with everything her daughter feels. It is about women with fierce pride and about their tortured journey to try and communicate and understand each other’s point of view.

Disney has once again created a beautiful tale of strong female characters and a story that reflects our day and age. The idea of independence, of choice, and of the power to be who you are is one that has really been taking shape for a while now but has really come out in our narratives recently. And I love it. It is a wonderfully powerful role model and heroine for young women and allows us to break out and explore the world in our own way. It is about coming to the realisation that our mother’s want the best for us, but that we also need to teach them as much as they teach us. Ultimately it is a love story between mother and daughter.

I loved this film because it was typical Disney with it’s great comic timing in animation and its brilliant narrative of adventure, discovery, forgiveness, and triumph. The biggest surprise in this film is that there isn’t really an “evil” that the protagonist is fighting against. There is a witch but she isn’t necessarily evil, and there is a mad bear but he’s just sick with power and loneliness. There is no evil villain but there is the battle of pride which Merida and her mother have to come through. It is this aspect that makes the film different from other Disney princess films and appealing to me as a viewer. I didn’t have high expectations for Brave because I was afraid it was going to be underwhelming like Princess and the Frog was. But Brave really blew me away as it was a beautiful animation and narrative that made me laugh and sigh and come out of feeling uplifted. And that’s what Disney films are meant to do right? They are meant to make you dream and make you feel like anything is possible in the world. Merida is a wonderfully strong heroine and I loved this film so much it may end up bumping Tangled down into third place in my top Disney films list. Beauty and The Beast will always be my favourite but Brave is about a restored mother/daughter relationship and that is a wonderful breath of fresh air in Disney films as it makes up for all those evil step-mothers and their mistreatment of their children. Now we have a magnificent mother character in Disney.