Get Gritty, Get Gorgeous – The Bourne Legacy

Posted on August 14, 2012 by kirifarrell

The Bourne Legacy – Official Poster – from IMDB.com

The Bourne Legacy (2012)

Director: Tony Gilroy
Writers: Tony Gilroy (screenplay & story), Dan Gilroy (screenplay), and Robert Ludlum (novel & inspiration)
Stars: Jeremy Renner, Rachel Weisz and Edward Norton

The Bourne Legacy is the fourth in the Bourne franchise but it also the first movie with the main character of Aaron Cross (Jeremy Renner) instead of Jason Bourne (Matt Damon). The story picks up Cross as he is on a training exercise for the “program” in Alaska, and while Jason Bourne is running rite in Europe and America. With Bourne’s eradict behaviour and the light being shone on the CIA’s operations, they plan to shut the “program” down. This is where we find ourselves thrown into the action with Aaron Cross as he tries to survive the wildness of apparent death and the dependence on viral tablets that have been part of his treatment in the “program”.

After loving the Bourne Identity, Supremacy, and Ultimatum so much I was cautious walking into this film. But I came prepared with low expectations after reading a bad review from Empire Magazine. I shall never trust their reviewers again, and you will soon see why. I sat in my cinema seat with popcorn in hand as the lights dimmed and the familiar image of a body floating in water appeared on screen (a similar shot was used in The Bourne Identity to open the series). This time however it was Aaron Cross, diving into the depths of a river in Alaska. He emerged from the water as a wet, rugged, bearded, wild man in the form of Jeremy Renner. He wrapped himself with a blanket and stood in front of a fire on the icy shelter next to the river as the camera panned out to show us that he was standing in the middle of a snow covered wilderness. And it was at this moment that I knew the film was going to break my low expectations by far.

Renner plays a more vocal character than our beloved Bourne, however he performs with such strength, ferocity and charisma that you can’t help but be on his side as he fights to live. The story unfolds in two parts and by the end of the feature I felt like I had started in a different movie than the one I had ended up in. It wasn’t as cleverly devised as the originals but it captures the audience and takes them on a ride of adrenaline just the same. The action sequences are just as intense as in the originals and there is an added element of remorselessness in a lot of the action that wasn’t there in the originals but left me a little shaken and shocked. Renner surpassed my expectations of wonderful as he continued to show his unbelievable ability to be a rough and tough action hero. He isn’t your usual type of handsome for an action figure but he becomes more handsome the grittier he gets. And when sitting across from the gorgeous Rachel Weisz the screen screams sexy at you. The pair of actors make a formidable force on screen and with the added bit of evil provided by Edward Norton you can’t help but be captured by this film. Norton provides boundless amounts of terrifying intelligent evil to the movie and I would never want to work for his character because I would just end up in tears every day out of fright.

The Bourne Legacy follows the trilogy with a faithfulness to Ludlum’s world and provides a great next installment for the series. It may not be better than the original three but it certainly matches them for action and adventure. I can’t decide now whether I prefer Bourne or Cross which is testament to Renner’s performance as Cross. He is charming and brilliant as well as vulnerable and fierce. The balance between Renner and Weisz solidifies the film and the story really makes you champion their cause. I really enjoyed this film and will definitely be seeing it again as soon as possible. Go and experience the awesome that is Aaron Cross and the irresistible Jeremy Renner.

Oh look, ducks! A satisfying look at women in Victorian England – Hysteria

Posted on August 7, 2012 by kirifarrell

Hysteria – Official Poster – from IMDB.com

Hysteria (2012)

Director: Tanya Wexler
Writers: Stephen Dyer (story & screenplay), Jonah Lisa Dyer (story & screenplay), and Howard Gensler (original story)
Stars: Maggie Gyllenhaal, Hugh Dancy and Jonathan Pryce

It’s amazing to think that we were once at a point in society when “germs” was a term that only those who were highly educated and kept up with the latest medical literature knew. It’s also amazing that once the cure to pretty much all of women’s ailments came in the form of induced orgasm. For a topic that is so controversial and frowned upon by respectable people it is amazing that Hysteria was such a joy to watch.

Hysteria is based on a true story of a man named Mortimer Granville (Hugh Dancy) who found himself as the accomplice to Dr Robert Dalrymple (Jonathan Pryce), a doctor who specialised in women’s health, mainly the treatment of hysteria, a diagnosis of women who had all sorts of symptoms and was treated by helping the women by ridding them of these ailments in a most unusual way. Dr Dalrymple has two daughters, Emily (Felicity Jones) who is very sensible and all of what a true woman should be, and Charlotte (Maggie Gyllenhaal) who is volatile, erratic, a fervent suffragette, and who runs a shelter for women and their children and teaches them about hygiene, literacy, and numeracy. Charlotte is everything a woman of the Victorian period should not be.

As Granville continues to serve his patients he himself suffers an ailment in his hand which makes him unable to fulfill the procedure required to cure his patients of hysteria. It is with the friendship of Granville and his inventor friend Edmund St. John-Smyth (Rupert Everett) that holds the key to Granville’s continued employment and ultimate success.

But this film isn’t about the invention of the vibrator as the posters and blurbs will tell you. Hysteria is about the ill-treatment of women and their capabilities even to this day. Gyllenhaal’s vibrant and passionate portrayal of Charlotte Dalrymple is inspiring as you see her struggle to change the culture in which she lives by simply caring for those less well off. It is through her servitude to the lower classes that she makes a huge difference in the long run for those she helps. She is a socialist, a libertarian, a woman. It is this characterisation which holds the entire film together for me. It reveals the true nature of what was going on at the time and sheds some light on what is still going on in our society today.

This film is light-hearted and fun. Rupert Everett is brilliant as ever and Hugh Dancy plays an uptight Brit most splendidly. I think this story could only be told faithfully in a British and prudish manner as it deals with a subject that could be twisted and sexualised and thus lose a lot of its appeal. It is told in a period manner with all the nuances of innuendo and suggestion and it is truly satisfying in the way it addresses an awkward invention and period in history.

It’s not the greatest film ever made, nor is it probably even up in the top 500 but it is delightfully light and well performed by all involved. Top marks go to the costume and set designers of this film. It is gorgeous to watch. And Maggie Gyllenhaal is so wonderful as a Brit that I wish she was more highly acclaimed than she is. She is a marvelous actress and is charming to watch. I’d go see it just for her.

For a film that could truly be awkward and unappealing, Hysteria offers a pleasurable look at the invention of the modern vibrator and the beginning of women’s health in Britain.

Films I Watch A Million Times Series – The Bourne Series

Posted on August 6, 2012 by kirifarrell

The Bourne Identity – Official Poster – from IMDB.com

The Bourne Identity (2002)

Director: Doug Liman
Writers: Tony Gilroy (screenplay), W. Blake Herron (screenplay), and Robert Ludlum (novel)
Stars: Franka Potente, Matt Damon and Chris Cooper

There have been some blessings that have come with growing up with an older brother who loved Steven Segal and Bruce Willis films. One of those blessings was the nurtured love of action films. There is something incredibly satisfying about watching the good guy triumph over the evil, especially when the evil is the US government.

Jason Bourne (Matt Damon) is a man without memory of who he is or why he knows he knows how to do a myriad of things including speak multiple languages fluently and can take down fifty armoured guards without a second thought. He is searching for his past and dodging death as he seeks to live a future free of the command of those who once controlled him. Jason Bourne is a man not to be trifled with.

As with most action films there isn’t a lot of dialogue, but there sure is a lot of acting going on by Matt Damon and his lady accomplice played by Franka Potente. The relationship that spawned out of need turns into a relationship of shared experience. There is a wonderful crafting of this pairing that takes place throughout the film which makes it genuine and more meaningful than the sloppy creations in your B-list action films.

The story of Bourne and his adventures are based off Robert Ludlum’s popular novels but carry more of the characterisation than of the actual story in the novels. But I believe this is for the better as the complexity of the novels take away from the sharp immediacy of the films. The Bourne Identity is the first in a trilogy (soon to be added to by a fourth, The Bourne Legacy – out August 11th). The Bourne Identity begins the saga of Jason Bourne and it also is, in my opinion, the best of the films. You really ride along with Bourne as he discovers parts of who he is, where he has been, and who is after him. With the carefully sequenced and choreographed action scenes filmed mostly on handheld cameras it provides for a rocky ride but intensifies the scene and provides what would be quite a real perspective on the action. Damon’s performance is pensive and withdrawn but comes across powerfully as he expresses his character’s strength, confusion, love, and vengeful nature.

I am a little cautious about getting my expectations up for The Bourne Legacy because the Bourne Trilogy was so gritty and wonderful. It will be interesting to see where they take it and if they stick to the books that carried on after Ludlum’s death. I am very excited to see how Jeremy Renner goes in his lead role in this film (no he’s not a recasting of Jason Bourne, it’s a different character). Renner’s really becoming a new action man of film and it’s going to be interesting to see what aspects of Damon’s portrayal he picks up on and which he reinvents for himself.

Why Rory Williams Is My Hero – Doctor Who

Posted on August 3, 2012 by kirifarrell

Doctor Who – Series 6 Poster – from IMDB.com

Doctor Who (oh since forever…jokes, 2005+)

Series Writer: Steven Moffat and a bunch of his friends.
Stars: Matt Smith, Karen Gillian, Arthur Darvill and everybody who has ever acted in Britain basically.

It is not always the case that a secondary character can transform everything you think about a show. It was one line, it was in a normal episode but it changed the way I forever thought about Doctor Who. Rory Williams told the Doctor “You don’t know how dangerous you make people to themselves when you’re around.” From that moment on Rory Williams stole my heart and became my favourite Doctor Who character of all time. He trumps Amy Pond who is fabulously feisty and he trumps River Song who is the woman I wish I could be, and he trumps Donna Noble who proved herself to be so normal and yet so spectacularly special (I’m just gonna skip over Rose Tyler and Martha Jones). Rory tells it like it is. He is the male companion the Doctor never wanted but who he comes to treasure as a moral and ethical compass.

For a long time I watched Doctor Who for the adventures, for the friendship of the characters, and for the Doctor’s extravagance and wonderful charisma. It is a show that has been able to hold captive audiences for multiple generations and made the transition from black and white television to colour to HD and lived on. The production value may have gone up but the heart of the show remains the same. It is, at it’s core, a show about the wonder of humanity. For me, Rory embodies this as the character who is humanity at its best and most noble.

Doctor Who has for a long time been my favourite show. From the moment it was reincarnated by Russell T. Davis in 2005 to today and the imminent arrival of Season 7 on our silver screens, I have been in love with the Doctor. When Steven Moffat took over writing in 2009 after having written some of the best episodes in previous seasons, including my favourites “Blink” and “Silence in the Library”/”Forest of the Dead”, I was overjoyed. I have loved Moffat’s writing since a kid, even though I hadn’t connected the dots until he started on Doctor Who – this included his teen drama “Press Gang” which I have vivid memories of as a child. I’ve already written about my love of Moffat (see my Sherlock review here) but it has to be said that Steven Moffat and Matt Smith’s teaming have brought Doctor Who to a new level of awesome. It’s a darker and more philosophical show when Moffat writes and collaborates with people and it provides a deeper level of intrigue than usual. There are so many moments whilst watching Doctor Who when I find myself thinking about the meanings of life and what it means to be a human. This isn’t necessarily the case in every episode but the more I watch the more I find the multifaceted nature of Moffat’s story lines and scripts. The way he weaves story lines together across multiple seasons is extraordinary and I am constantly awed by his genius.

Arthur Darvill as Rory in Doctor Who – Let’s Kill Hitler – from Tumblr – myvintagelove

Getting back to my love of Rory though… Rory Williams is a character that is centred on love, loyalty, courage, and honesty. This is all buffered by an underlying insecurity which is truly endearing and really grounds those characteristics in a truthful portrayal by Arthur Darvill. Darvill’s performance as Rory is practically perfect because he balances the insanity of the Doctor and Amy Pond (Karen Gillian) with a warmness and gentle strength. It is the combination of all his courage and cowardice that makes him a true companion and my hero of television. He is who I would want to be if I was with the Doctor, both petrified and cynical but ultimately triumphant in the moment of need. He is someone that seems realistic rather than being carried away with the charisma of the Doctor, and provides the grounding that the Doctor needs when off on adventures and traveling in the TARDIS. Rory is my hero because he is the one companion who is not afraid of leaving the Doctor but who is loyal to a fault to his friends. Rory always seems on the outer with Amy and the Doctor but it is Rory who will always be there for both of them when night falls on their tale.

With the new trailer having just been released for Part 1 of Season 7 I am both excited and sad to see the end of the Pond’s. I think they have been great companions and I don’t think that will ever change, but I know I will weep for a week when the curtain is drawn on their adventures with the Doctor. Moffat will make it as painful as possible, this we know, but I also think it’s going to be a good ending to a wonderful period of the show.

P.S. I know most people think River Song gets her sassiness from Amy but I really think she gets it from Rory, he is the truly bold and brave one.

P.P.S You can watch the new Doctor Who series trailer here:
Doctor Who: Full Length New Series Trailer Autumn 2012 – Series 7 – BBC One

Films I Watch A Million Times Series – 10 Things I Hate About You

Posted on July 31, 2012 by kirifarrell

10 Things I Hate About You – Official Poster – from IMDB.com

10 Things I Hate About You (1999)

Director: Gil Junger
Writers: Karen McCullah Lutz, Kirsten Smith, and William Shakespeare (play “The Taming of the Shrew”)
Stars: Heath Ledger, Julia Stiles and Joseph Gordon-Levitt

I first saw 10 Things I Hate About You on a plane on the way to America as a 12 year old. I immediately loved it and it was always my dream as a teen to be like Kat. She was feisty, strong, had a mind of her own, and wasn’t going to be treated like a fool by anyone. It was her strength of mind that I loved most. She disregarded convention and was a rebel of a different kind. Kat rebelled against what was popular. In a lot of ways she was my first experience of indie, but it was more than that. I had never had much guts as a kid but heading into high school and becoming my own person (in my own mind anyway) was the chance to turn things around, to be a stronger woman, to stand against what I didn’t agree with, and be whoever she deemed she wanted to be. It was this that really connected me to the movie.

The relationships between all the characters are familiar to most as it is based on William Shakespeare’s Taming of the Shrew which has had numerous renditions and adaptations. And as with most Shakespeare plays it has been done well and not so well as it has stood up to the testing of Hollywood. There are some really fantastic adaptations of Shakespeare including Baz Luhrmann’s modern Romeo & Juliet and Kenneth Branagh’s Hamlet and Much Ado About Nothing. However for adaptations into a new period and without the Shakespearean dialogue you can’t go past 10 Things I Hate About You. It stands on its own two feet as a good teen rom-com-drama as well as adapting a brilliant Shakespeare. The characterisation of Kat and Bianca are beautifully fulfilled by Julia Stiles and Larisa Oleynik, let alone the performances of the young Heath Ledger and Joseph Gordon-Levitt as Patrick Verona and Cameron James respectively. It was imaginatively formed and it came together to produce a film that would continue to be enjoyed throughout the next 13 years.

This film helped shape me as a person and there have been so many moments when I have quoted lines from this film in real life and then realised that only the people who have seen it millions of times would know the significance of a line like “Sleep is good” or “Yeah, that’s a Toyota.” It also made me want to have curly long hair like Julia Stiles but that was never going to happen with my straight-can’t-be-curled-hair. It was the attitude of Kat and Patrick that I fell in love with most. It was the carefree attitude mixed with strength and loyalty that I strived for and in a lot of ways still do. It’s hard to be a people pleaser but it’s also incredibly hard to not let people’s opinions of us get the better of us and command what we do, say, wear, like, etc.

10 Things I Hate About You still makes me laugh, cry, and think hard about how I’m acting in my life. Kat is one of my heroines of literature and even though this says a lot about me and the kind of person I want to be, I care more like Bianca and obsessive like Cameron, and slightly less delusional than Mandelia, and simply awkward like Michael. It is a film where I relate to pretty much every character and they have come with me in this journey of life as influencing characters who have reminded me of what is real, what is true, and what is honest.

I lived vicariously through Kat as I grew up as a teenager and wanted to be like her. She was my role model. She had the attitude and the lifestyle I wanted. She was intelligent, driven and quick-witted. She wanted to escape to the big city. She didn’t want anyone controlling her life. She was brilliant in my eyes. I know she was never the best example or role model but I love her all the same.

What film or character did you love through your teens? Do they still influence you to this day?

The Beauty of the Inner City Life – Not Suitable For Children

Posted on July 25, 2012 by kirifarrell

Not Suitable For Children – Official Poster – from AFI blog

Not Suitable For Children (2012)

Director: Peter Templeman
Writers: Michael Lucas (story), Peter Templeman (story), and Michael Lucas (screenplay)
Stars: Ryan Kwanten, Bojana Novakovic and Laura Brent

I’m not usually a watcher of Australian films because I cringe at either the over-done humour or overwhelming drama. I saw Not Suitable For Children as an audience testing session when it was just about to be released and was pleasantly surprised by what I saw and the reception of others in the audience. For one thing it is a film set in a place I know well and a culture that I am partial to. The film traces the story of three friends who live in the inner city suburb of Newtown in Sydney, Australia. The main character, Jonah (Ryan Kwanten, True Blood, Griff The Invisible), is presented with the end of his ability to procreate and decides he will go to any ends to secure an offspring of his own before his time runs out.

This film is incredibly funny, engaging, and genuine film which balances the unique drama of Australian culture and its humour. This film is the closest thing to a real life in this particular culture that I have seen and it is uncanny how beautiful this creation is. Ryan Kwanten, Sarah Snook (Stevie), and Ryan Corr (Gus) give incredibly compelling performances that make each of the characters absorbing. The friendship between these three characters is both funny and moving. It provides the grounding for the narrative and the complexity to the characters as they develop and interact with one another. There is an underlying truth and reality to this story which makes this film so wonderfully watchable.

This Australian film is unlike any other film I’ve seen and with good reason. It’s crafted with such delicacy and devotion to tell a story that hasn’t really been told before, and a story which touches on a subject that can both resonate for men and women. It tells the story of one of our base instincts, to reproduce, and the difficulties facing both men and women in our society. The idea of having children and raising them when our culture tells us both that we should and shouldn’t do such a thing, that it both takes away our independent lives and gives us “the greatest gift of life”, is a persuasive foundation for a story. The entire production of Not Suitable For Children has come together to produce a fantastic film that will speak to a lot of people across our country, and hopefully the world. I am really hoping this film does well as it is a genuinely fantastic viewing experience and a story that deserves to be told so wonderfully.

I totally recommend you see this film, even/especially if you don’t usually like Australian films, I would give it a real go because you will end up falling in love with these characters and both laughing and lamenting your way through the journey and grief that they experience together. Top points go to Ryan Corr for being the third wheel in this story as well and his incredible performance as Gus, he is a true champion of the inner city Sydney life and has impeccable comedic timing. Sarah Snook and Ryan Kwanten also provide genuinely wonderful characters and especially Sarah’s transformation through the film is inspired and inspiring. Go and enjoy a wonderful Australian film!

Laughing with someone makes it all bearable – Ted

Posted on July 23, 2012 by kirifarrell

Ted – Official Poster – from IMDB.com

Ted (2012)

Director: Seth MacFarlane
Writers: Seth MacFarlane (story & screenplay), and Alen Sulkin (screenplay), and Wellesley Wild (screenplay)
Stars: Mark Wahlberg, Mila Kunis and Seth MacFarlane

There is something beautiful about going and seeing a film for free when you don’t expect it, and seeing it with a friend who could came along at the last minute and who is a joy to be around. This was the circumstance that I found myself in when I saw Ted tonight. My friend Lizzie and I rocked up to see an Australian film (The Sapphires – review to come soon, when I get around to seeing it – out August 10) but the cinema had booked a smaller cinema than the distributer had requested and so we were given the option of seeing a different film. Lizzie and I decided on Ted because we had both seen the other option offered. I hadn’t planned to see Ted, mainly because it’s not my usual type of film. I’m not a huge fan of crass and gross humour and not a fan of Mila Kunis and so the only selling point for me was Mark Wahlberg. But with all the negatives I held up against this film I actually found it very funny and enjoyable.

Let me say that I really think that whether you like a film or not depends on both the quality of the film and also the environment in which you see it, especially who you see it with. I don’t think I would’ve enjoyed this movie as much if I had seen it on my own or with some of my other friends. And that is no criticism on them, it is just a simple fact of being able to enjoy something a little bit different at a fun moment in the day after a bit of disappointment and just rolling with it.

Ted is the story of a boy who makes a wish when he is 8 for his Teddy Bear to be a real friend. It is a sweet premise and overall I really loved the idea of a man being so connected with a childhood friend that they are still friends thirty years later. The faithfulness, the loyalty, and the bond between Ted and John are really quite beautiful in a lot of ways. And then the adult Ted kicks in, and well that’s when it turns a little chaotic. There are some moments in Ted which were gross and I cringed a little bit at them, but there were also some very clever lines and in-jokes (especially for those who know of Seth McFarlane) and it was these moments that I laughed at most. There were also just a lot of little moments of real silliness that was just plain humourous.

Mark Wahlberg and Mila Kunis’ performances were stellar but the best performance has to go to Ryan Reynolds. His cameo performance is pure genius. There is a wonderful understated nature to a lot of little moments in this film that make it incredibly funny for our generation but it is also one of those things that mean in ten or twenty years time will go unnoticed and unappreciated. I know that not everyone will love this film but if you have enjoyed popular culture over the last ten years you will probably enjoy this film at least a little bit.

I still stand by my original stance that I would not have seen this film if I had to pay for it but I am really glad I saw it. Seth McFarlane has created a great filmic balance between humour and endearment which leaves you with a positive feeling as you giggle your way out the cinema door. It is this balance that makes it an enjoyable film and it is the endearment that balances out the crass humour which makes it more bearable than other some other similar comedies.

Fantasy in the real world – Dollhouse

Posted on July 18, 2012 by kirifarrell

Dollhouse – Official Poster – from IMDB.com

Dollhouse (2009-2010)

Creator: Joss Whedon
Stars: Eliza Dushku, Harry Lennix and Fran Kranz

I have recently become a little obsessed with Joss Whedon’s work. After falling in love with Firefly and then The Avengers, I’ve now taken up the task of watching his body of work. (Although I may skip most of Buffy as vampires have never been my thing). I first heard about Dollhouse from a couple of my nerd friends who were having an Avengers marathon at the time and were talking about Whedon’s work. I put off watching it for a while as I didn’t really know that much about it. And then I got sick last week. And I watched the entire first season in two days. Oh my word. Joss Whedon is a genius. No really, there is nothing this guy can’t execute brilliantly.

Dollhouse is based on the premise that there is a exclusive, secret organisation that fulfills people’s fantasies through the use of “actives” or “dolls”. These dolls are people that have volunteered for the program for five years, had their memory wiped, and are imprinted with another person’s traits, abilities, characteristics, desires, etc, in order to fulfill the fantasy of the client. It sounds weird, it is, and it is fraught with ethical dilemmas. Whedon knows this and explores this in a really interesting way throughout the show.

Our journey in Dollhouse is centred around Echo, or Caroline, played by Eliza Dushku. She is one of the best dolls in the dollhouse and the story follows her life in the house and on jobs with clients. She has the ability to adapt in the imprint though and this unpredictable nature of Echo brings her under closer inspection. It is through Echo that we see the world of the dollhouse as what it is and what it does. I came to really love and care for Echo as she was tormented with the half-remembering of her past and the passion to find what really happened to her. It is characters like Echo that is the reason I love this kind of show. It has a unique ability to transport you into the world and to question what you know about your own world. It harnesses the power of the unknown and gives you a glimpse into how the pure can be corrupted. It transports desperation into peace, all with the uncomfortable feeling in the pit of your stomach of knowing that it isn’t quite right. And it grabs you and pulls you along for the ride through each episode with the excited and nervous anticipation of what will become of these people.

Maybe that’s just me, maybe I get too involved in TV characters and the worlds writers create for me to escape into, but I do love it. I live vicariously through them as they do things I would never do, things I wish I could do, and things I know I would love to do. And then when each episode ends I long to return with them into their world, to be one of them, and to experience life in a dramatic and exciting way. But as I pull back from that world and the main titles fill my screen I’m brought back to the fact that I am sitting on my couch, sick and tired, and that the world I’ve been transported into is not real and that I would much prefer where I am to the bruises and ethical dilemmas that the characters experience in that world. I suppose that is why I love TV so much as well, because you can escape that world when you need to. If only it was the same for life sometimes. And maybe that’s why Dollhouse has grabbed me so much, because the dolls live in an escaped world, where they experience something and then come back from the real world to their haven of tranquility to forget and escape the horror of the real world. Is it the same for entertainment? Is entertainment our haven?

Life Vicarious

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