Category Archives: Film Review

Hitting the right notes – Pitch Perfect

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Pitch Perfect - Official Poster - from IMDB.com

Pitch Perfect – Official Poster – from IMDB.com

Pitch Perfect (2012)

Director: Jason Moore
Writers: Kay Cannon (screenplay), Mickey Rapkin (book)
Stars: Anna Kendrick, Brittany Snow and Rebel Wilson

There is something genuinely magnificent about a carefully crafted one-liner in my humble opinion. It should surprise you, make you burst out laughing, and be delivered with as much dryness as possible. Pitch Perfect has just the right amount of one-liners to make this film a great comedy. Yes the stereotypes are strong and the humour can be blatantly obvious at points, but this makes it all the better in my mind. The comedy in Pitch Perfect is both funny and makes fun of itself in clever ways. It doesn’t ruin the narrative flow but in fact enhances it.

Pitch Perfect is the tale of Beca (Anna Kendrick), an alternative chick, DJ-wannabe, who is misunderstood by her father and is mostly friendless. That is until she is forced to join the all-girl acapella group. Forced to try out by the very forward Chloe (Brittany Snow), she comes into the group which is already going through a period of transition. The group is being controlled by the high-strung Aubrey (Anna Camp) who is on a mission to win nationals but she is a traditionalist and a perfectionist which does not suit Beca’s alternative and creative ways. Beca tries to both change the groups style, as well as trying to stay of Aubrey’s good side. It plays out as you would expect, the whole film does as well, with bits of surprises along the way, but it works. The thing about films like this is that if they stick, more or less, to the formula, then they will be entertaining. It is the way the more or less is challenged that either makes or breaks a film like this. It is the difference between a A-grade film and an B-grade film. Pitch Perfect hits the harmonies of formula and classy comedy in the right key. It is definitely the minor characters of Fat Amy (Rebel Wilson), Lilly (Hana Mae Lee), and Benji (Ben Platt) that make this film fantastic. Never underestimate the power of a great supporting cast, they will and do steal the scenes and make the film better.

4/5

Who Am I? – Les Miserables

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Les Misérables - Official Poster - from IMDB.com

Les Misérables – Official Poster – from IMDB.com

Les Misérables (2012)

Director: Tom Hooper
Writers: Claude-Michel Schönberg (book) & Alain Boublil (book) & Victor Hugo (novel) & Herbert Kretzmer (lyrics) & Alain Boublil (original: French text) & Jean-Marc Natel (original: French text) & James Fenton (additional text) & William Nicholson (screenplay)
Stars: Hugh Jackman, Russell Crowe and Anne Hathaway

I have always loved musicals. I grew up watching Judy Garland, Gene Kelly, Frank Sinatra, Fred Astaire, etc, and loved everyone of them, good and bad. My favourite film is Singin’ In The Rain and will continue to be until my life’s end. I say that in order to justify my instant love of Les Misérables. I have never seen it on stage but I have had friends in the past who have raved about it.  I now understand why.

Although there are parts of the film which could be improved, *cough Russell Crowe cough*, the musical is adapted onto film brilliantly. It has a raw and gritty quality to it which makes the story feel real and grounded in history. The music is beautiful and the integration of story-telling with the music is seamless. Hugh Jackman does a great job of Jean Valjean and really carries the film and us with him on the journey of his hard life. However, the kids in the film are what really make it for me. Daniel Huttlestone (Gavroche) and Isabelle Allen (young Cosette) are incredible little talents. They come alive on screen and steal every scene they are in, especially Daniel.

The best thing about this film is that it has real heart. I cried, nay, I sobbed as Eddie Redmayne sang about how his friends would never sing again. Oh my gosh did I sob! Every moment was breathtaking and heartbreaking and heartwarming and oh just everything! It wasn’t that this was a brilliant film, or a brilliant musical, but it is a great story, well told, and in a lot of ways that is what films should be, even musicals.

4/5

See it in 3D – The Hobbit

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The Hobbit - An Unexpected Journey - Official Poster - from IMDB.com

The Hobbit – An Unexpected Journey – Official Poster – from IMDB.com

The Hobbit: An Unexpected Journey (2012)

Director: Peter Jackson
Writers: Fran Walsh (screenplay), Phillipa Boyens (screenplay), Peter Jackson (screenplay), Guillermo del Toro (screenplay), JRR Tolkien (story)
Stars: Martin Freeman, Ian McKellen, Richard Armitage, Andy Serkis.

When the Lord of The Rings films first came out ten years ago they really blew me away as the first epic adventure film that I had seen on the big screen. I still remember sitting through them, watching Legolas swing around that horse and climb up the oliphaunt and shot an arrow through its head. It was an adventure story and wondrous to behold on the big screen. However, in the opening scenes of The Hobbit my jaw dropped as the landscape and action came alive on the screen. Seeing this film in 3D is essential. Mainly because the story is padded out so much that there are moments when you can sit back and enjoy the visuals. Don’t get me wrong, sure the story of the Hobbit is great, but three films is a little excessive.

The Hobbit: An Unexpected Journey gives the back story to Bilbo Baggins. It is Bilbo’s story, but Jackson and his co-creators decided that they needed to give it context within the Lord of The Rings films, this is so very unnecessary even though I love seeing Elijah Wood as Frodo again. The story of Bilbo is exciting and adventurous in the book, and Jackson has brought it to life visually, but instead of making it fast paced and exciting like we are now used to, he has slowed the pace in between the big action scenes. I’m really not sure whether them stretching the short novel out into three movies is a good thing or it will just be laborious when it comes to the end of the third film but I have very mixed feelings about this first installment. I both enjoyed the ride and the visuals but also felt the length of the film and knowing there are another two to come over the next few years gave me a sense of tedium as I sat through the last half hour. The Hobbit as a story is meant to be a tale of adventure and discovery of what it means to belong for children but it hasn’t been treated this way and it loses it’s childish charm in a lot of ways because of the slowness of the telling of the film. Martin Freeman is brilliant, as is the rest of the cast, but all in all Jackson should have gone back to Tolkien’s original ideal in The Hobbit rather than trying to make it The Lord Of The Rings again. Jackson has overlooked the difference in Tolkien’s writing and purpose from The Hobbit and The Lord Of The Rings.

3/5

Hope, Wonder, Fun, Delight – Rise of the Guardians

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Rise Of The Guardians - Official Poster - from IMDB.com

Rise Of The Guardians – Official Poster – from IMDB.com

Rise of the Guardians (2012)

Director: Peter Ramsey
Writers: David Lindsay-Abaire (screenplay), William Joyce (book)
Stars: Hugh Jackman, Chris Pine, Alec Baldwin and Isla Fisher

There is something wonderful about children’s films. They are delightful to get swept up in, especially when they are good. Rise Of The Guardians is a joy to watch. It’s not the best animated film ever but it has everything it needs to make you smile and laugh as well as teach you lessons about what is good to believe in. The morals infused in every character are at the forefront of this story as we travel with Jack Frost (voiced by Chris Pine) as he discovers who he truly is and why he is chosen to be a guardian of the children of the world.

Jack joins North (Santa, voiced by Alec Baldwin), Tooth (The Tooth Fairy, voiced by Isla Fisher), Sandman (not voiced, but wonderfully animated!), and Bunny (The Easter Bunny, voiced by Hugh Jackman), as they battle Pitch (The Boogeyman, voiced by Jude Law) who has taken it upon himself to torture and torment children with fear and nightmares. There is a great narrative progression through this film and it throws you around through the tunnels of children’s belief and their determination to believe in the core of each of these folklores. It is uplifting and cheery and has some great characters, although a little underdeveloped for my liking.

With Christmas creeping up incredibly quickly this is a great film for the family to see together as it refocuses both children and parents on what the festive seasons we celebrate in western culture represent. The wonder and delight of children are what we really aim for at Christmas, but we also love to reawaken that childish fun in ourselves over the Christmas and New Year period. Rise of The Guardians is not just a Christmas film but it certainly does hold all those little goodies that make Christmas movies so great and what make children films so beautiful.

3.7/5

Swing, batter, batter, yawn – Trouble With The Curve

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Trouble With The Curve – Official Poster – from IMDB.com

Trouble With The Curve (2012)

Director: Robert Lorenz
Writer: Randy Brown
Stars: Clint Eastwood, Amy Adams, Justin Timberlake and John Goodman

You would think that after starring in and directing some of the most acclaimed films of the last few decades, Clint Eastwood would be able to tell whether or not a movie was worth making or not. There are dozens of sports films out there, there are dozens of romcoms and dramas out there, and as I step into another film that I haven’t really heard of I hear myself asking “Is it really necessary that we have another one enter the world?”

The thing with RomComs and Dramas is that each one, although it may be formulaic and predictable, will appeal to its audience members in different ways. Trouble With The Curve is a story of an old hat baseball scout who is trying to stay in the game whilst his eyesight is failing and his bosses try and squeeze him out. Gus (Clint Eastwood) is joined by his daughter, Mickey (Amy Adams), on a last hurrah as a baseball scout before his eyes go. Their relationship is rocky to say the least. Mickey is a hotshot lawyer but has mountains of daddy issues and really just wants to do what he does. Their relationship is strained and their communication skills need serious work. But it’s a sweet kind of relationship that forms over the film, as you know it will. And it is the predictability of this film that makes it feel longer than it actually is. It is sweet at points and you do come to like the characters enough to want the happy ending for them, but you know from the opening moments of the film that it is approaching and it takes a lot of energy to care about the characters when you know their problems will be gone in an hours time.

John Goodman provides a stand out supporting role as always and Matthew Lillard, although he plays an incredible annoying and dislikable character, does it splendidly and so must be commended on making his audience hate him. Amy Adams plays a wonderfully strong female character which I love but is pushed down somewhat by the forced love interest of Justin Timberlake. Timberlake may be an okay actor but I felt the love interest was commercial and crowd appeasing more than anything else.

2.5/5

Shot In The Dark – Red Dawn 2012

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Red Dawn – Official Poster – from IMDB.com

Red Dawn (2012)

Director: Dan Bradley
Writers: Carl Ellsworth (screenplay) and Jeremy Passmore (screenplay), Kevin Reynolds (1984 screenplay) and John Milius (1984 screenplay), Kevin Reynolds (story)
Stars: Chris Hemsworth, Josh Peck, Isabel Lucas and Josh Hutcherson

When people take a movie to mean something completely different to what is portrayed in the film it really gets under my skin. Red Dawn has gotten a lot of flack because it has apparently incited racism in people (see this post). But the movie itself isn’t racist at all in my humble opinion. I think maybe it’s because I come from a generation where Tomorrow When The War Began by John Marsden was my favourite book series and the enemy isn’t described much at all I was never really cultured to be racist. It made me want to learn how to shoot straight and drive a manual car, but not to kill someone because of their race. However, apparently people are racist rather than actually understanding Red Dawn’s deliberate move to make it about political ventures rather than racism. Race is not the main theme of this film and anyone that comes out of the cinema making racist remarks incited from the film was racist to begin with and is just pulling at strings to justify their own racism.

The film takes place in our world, our time, with present day issues informing its setting. And like its original, the main “threat” to modern day America is those who would take down Capitalist America. The corruption of modern day America and Capitalism are the objects of the enemies fight, not the American people as such. The film is well constructed and the narrative flows well and keeps you entertained the entire way through. The acting is a little flimsy at points, especially when grand speeches are being made by the teens. All in all it was a fun ride and had a few surprises along the way. Red Dawn is an intense and deliberately fast paced movie, especially in comparison with the original. There was nothing about this film that made it stand out or made it the big remake that it should have been. The action is explosive but same-same.

I don’t know how people have come away feeling so mad at the North Korean characters, I feel angrier at the adults that don’t take a stand and wait for a few kids to take the charge than at the “enemy forces”. Also, unlike Tomorrow When The War Began, I don’t find the invasion of America believable. The fact that most Americans have ample weaponry in their homes makes me think from the get go: “Why don’t they just pull out their shot guns and shoot the closest invader?” But no one does that, which I find to just be bizarre for a country that is so trigger happy and insists on the right to bear arms to defend themselves. But hey, I’m an Aussie, what would I know, I’m not prepared for an invasion either.

2.8/5

For the woman he truly loves – Skyfall

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Skyfall - Official Poster - from IMDB.com

Skyfall – Official Poster – from IMDB.com

Skyfall (2012)

Director: Sam Mendes
Writers: Neal Purvis, Robert Wade, John Logan, and Ian Fleming (characters)
Stars: Daniel Craig, Javier Bardem, Dame Judi Dench, Ralph Fiennes, Ben Whishaw and Naomie Harris

From the opening moments of this James Bond film you know it will be filled with everything that makes a Bond film great. There are the typical cheesy Bond moments of the classy casino, the car/motorbike chase, the Bond girl, and Bond kicking arse all around and surviving against the odds, and his one-liner wit. But you also see another side of Bond. The scriptwriters and Daniel Craig have given us better version of the rough-edged Bond you see in Casino Royale and Quantum of Solace. He isn’t the slick, nothing-ruffles-my-hair Bond of the Bronson or Connery age. He is a rugged and beaten up Bond. And in a lot of ways Daniel Craig has given James Bond a humanity that you don’t really see in the older films. The producers were on the right track when they convinced him to take the part. Daniel Craig looks sexy even as a beaten up alcoholic who comes back to life to save the woman he truly loves. I mean you can’t beat that.

The one thing that shouldn’t have surprised me but did was that Skyfall is a beautiful film. Sam Mendes has made an absolutely stunning film to watch. Every shot is gorgeous, and not just because Daniel Craig is in the shot. You can watch the music video for Adele’s Skyfall and see how visually brilliant they have made this film, but you don’t get the full effect unless you are sitting in a dark cinema with the full scale picture. I have no words for how delightful this film is to watch. It goes without saying that Daniel Craig, Judi Dench and the rest of the cast are brilliant but they have really stepped up the quality of this franchise all around.

I have to admit, I did take a moment during one of the slower parts of the film to work out whether my incredibly high expectations were making me love the film, or if it was just that I loved all Bond films – I even love Moonraker – or whether Skyfall was just a really good film. What was the conclusion I came to? It is an excellent film. From everything from the story to the actors to the justification for the fight scenes, everything fits together to make Skyfall a great film on its own. Even if you didn’t know anything about Bond you could still enjoy this film and appreciate it for a good action film. I don’t want to give anything away but there are some great hark backs to old Bond films that make this film a Bond fans delight.

Go and enjoy the fall.

4/5

Heartbreakingly Beautiful – Perks Of Being A Wallflower

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Perks Of Being A Wallflower - Official Poster - from IMDB.com

Perks Of Being A Wallflower – Official Poster – from IMDB.com

Perks Of Being A Wallflower (2012)

Director: Stephen Chbosky
Writers: Stephen Chbosky (novel), Stephen Chbosky (screenplay)
Stars: Logan Lerman, Emma Watson and Ezra Miller

Kids nowadays have it as rough as they did generations before ours. And as it has done before, film and literature tries to tell the hard stories of our lives and culture. Perks Of Being A Wallflower, based on the novel by Stephen Chbosky – who also wrote and directed the film – brings to life the story of a group of teens who try and survive their messed up and complicated lives. The film delves into how Charlie (Logan Lerman), Sam (Emma Watson), and Patrick (Ezra Miller) deal with the awful hand that life has dealt them. Each of them has a past, even at the age of seventeen they are dealing with the consequences of other people’s actions upon them. These young actors portray characters that are full of complicated emotions in such realistic ways. There was never a moment in the film when I didn’t believe their story. They gave heart and soul to the characters and created a passionate and powerful portrayal of the modern teenage life.

Perks Of Being A Wallflower isn’t simply a coming of age story, it is a story of how awful things happen to young people and they have to deal with them given limited support and the pressures of school and peers. It is full of dorky awkwardness and beautiful, innocent youth but deals with matters that are far beyond what you would expect of a teen flick. From issues of homosexual to depression to death, it handles these issues with a grace and honesty that I hadn’t expected and shocked me to tears. When people look back on this film in years to come it will mark this generation in the same way that The Breakfast Club marked the 1980s.

I felt completely and utterly spent after the film. It was so powerful that there was more than one person in the film who was sobbing by the end. It was heartbreakingly beautiful and was a reminder that we can transform our lives even in the most awful of circumstances. It was also a reminder of how important the support of people who love us are. The way we treat each other can either destroy or restore us.

Make sure you take a box of tissues with you as well as your laughter because it will make you both laugh and cry.

4.5/5

A psychopath is what? – Seven Psychopaths

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Seven Psychopaths - Official Poster - from IMDB.com

Seven Psychopaths – Official Poster – from IMDB.com

Seven Psychopaths (2012)

Director: Martin McDonagh
Writer: Martin McDonagh
Stars: Colin Farrell, Woody Harrelson, Christopher Walken and Sam Rockwell

Dark humour or black comedy is a type of comedy that I’ve never been sure whether to laugh at or find a little icky. I have to say after sitting in a theatre and being the only one to giggle basically the entire way through this film that Seven Psychopaths has either shown me to have a dark sense of humour, or I am actually a psychopath, I’m pretty sure it’s the former.

Seven Psychopaths is not a film I would recommend for anyone with a weak stomach or who doesn’t like a lot of violence in their comedies. However, in saying that I thoroughly enjoyed this film. The actors in this film are all outstanding and each part fits together to make this film brilliantly funny. There were moments when Christopher Walken’s face just made me burst into a fit of giggles. Woody Harrelson and Sam Rockwell’s comedic timing and delivery is perfection. The one surprise for me in this film was Colin Farrell. Admittedly I haven’t been a fan of Farrell before, but his performance in this film has made me reconsider my opinion of him. It’s worth a watch just for the surprise of Colin Farrell’s performance.

The script by Martin McDonagh is satirical and witty. It has been brilliantly crafted and directed. McDonagh is clever and incredibly funny in the way he twists and surprises you throughout the entire film. The laugh out loud moments that I had stemmed from the surprises in the plot just as much as from the actors performances. He has created quirky film that has some hilarious moments and some really touching moments as well.

I wouldn’t recommend it to everyone, but it is very funny if you like dark humour and want to go along for a fun adventure with an alcoholic writer, a Christian dognapper, and a lovable psychopath.

4/5

I want my two hours back – Alex Cross

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Alex Cross - Official Poster - from IMDB.com

Alex Cross – Official Poster – from IMDB.com

Alex Cross (2012)

Director: Rob Cohen
Writers: Marc Moss (screenplay), Kerry Williamson (screenplay), and James Patterson (novel “Cross”)
Stars: Tyler Perry, Matthew Fox and Rachel Nichols

I could write an essay on all the reasons why this movie is now in my top three worst ever films I’ve seen list. I’ll try and convince you not to spend any time, energy, money, or basically anything other than reading this blog on the so-called film Alex Cross in a shortish blog.

This film did everything wrong. From the music to the script, to the casting and the pace. It basically started out being really bad and then got unbelievably worse. Let me start by mentioning the script and the direction. I’ve never read a James Patterson crime thriller before but I’m sure not going to now. The adaptation of the script was so bad that pretty much every line was cringe-worthy. There was only one line in the entire film that was good and even then if it had been in any other film it would’ve sucked. The pace of the film was slow and they tried so hard to develop the characters so much that rather than liking the characters I just wanted them to get off the screen and let me have my life and imagination back. The screenplay may have looked fine on paper, actually no, I take that back, it would not have looked fine on paper unless you’re a two year old and need to be walked through every little thing that happened. It was amateurish in everything apart from the quality of the camera and the lighting. I could have written something better and I know that I’m not a great writer. It was so painful to sit through and I began to shrink in my seat as each scene progressed only to rise when something was so ridiculously stupid that you couldn’t help but laugh.

The music was cheesy and agonizing. It had the awful sappy music when someone was having a deep, “character defining” moment, or “fast-paced” when there was a bit of action. It stood out like a sore thumb, which music in film should never do other to compliment the scene. This music took away from the film.

Tyler Perry needs to take some lessons on how to bring truth to characters, his “performance” of Alex Cross was not good, to say the least. I didn’t care about his character or what he had been through. For someone that has been in a lot of films it makes me sad that I know so many of my friends that could’ve played that character better, and they aren’t actors. Oh and then there is Edward Burns who plays his best friend/partner and he was just as bad. I wanted him to die at one point because he was so freaking annoying. I don’t usually wish death on characters but this movie pushed all the wrong buttons for me. And then the two main female leads get killed off quite quickly, yep, thanks for that one guys, push the women out of the picture, well done. I mean I don’t mind a bit of damsel in distress stuff in films, but to kill off the characters altogether, that’s just low. The only one that I give any credit to with his acting ability is Matthew Fox (Jack from Lost). Fox is creepy and scary and redeems the film just a little only to have it come crashing down on him via bad directing. There is one moment where he looks at the camera to deliver a line and you just have to ask yourself: WTF whose decision was that and can someone please get them out of the film business immediately?! And finally there is John C. McGinley (Dr Cox from Scrubs) who just shouldn’t do drama, ever. Stick to comedy John, you really really shouldn’t do drama. I didn’t care that his character got blown up, he was annoying and at this point I just wanted the film to be over.

I’ve seen a lot of B-grade action films, but this isn’t even making the B-grade, this gets an F. It is so bad that it is now trumping Vanilla Sky on my list of worst films ever. I can’t express how truly wretched and unendurable this film was. I’m so glad I got to see it with critics and didn’t have to pay for a ticket, I would’ve walked out and asked for my money back. When there are so many other great independent, or even Hollywood, films that are way way way better than this shite I just want to question those who are making the decisions of what to make and what to show in cinemas. This doesn’t deserve to go to DVD.

DON’T SEE THIS FILM.

-500/5