Director: Sacha Gervasi
Writers: John J. McLaughlin (screenplay), Stephen Rebello (book)
Stars: Anthony Hopkins, Helen Mirren and Scarlett Johansson
I’ve never been able to sit and watch a thriller without getting scared out of my brains or laughing at how ridiculous it is. Alfred Hitchcock films are different though. I still remember watching North by Northwest as a young teen and not really understanding who made it or what it was meant to be, but it was in black and white so I was interested. It turned out I have a love/hate relationship with thrillers. I also studied Rope at university as part of a film studies class and from that moment onwards I was both enthralled and petrified of Hitchcock. So when my friend suggested we go see a movie about Hitchcock and the making of Psycho I wasn’t completely sold on the idea, but friends will make you do amazing things, and it was a very hot day…
I was blown away. Utterly and completely. Hitchcock is an incredible film about an incredible man. Strange and sometimes scary, Alfred Hitchcock – portrayed perfectly by Anthony Hopkins – is a man who needs to be in charge and who needs to be engaged with a project. The thing that is terrifyingly brilliant about this film is how Hopkins brings Hitch so much to life that you feel like you are watching the man himself. It’s not just the mannerisms or speech, it’s his air and the delivery of every second of every scene. And with Helen Mirren by his side as Alma Reville, Hitch’s wife and script editor/writer, the world of Psycho is lived out on screen for the audience. The perversity of Hitch’s obsession of his lead ladies and his want of control over their lives is very evident but done in such a way that you are both repulsed by him and pity him at the same time, but above all you come out with an admiration for a broken but brilliant man who was and still is the master of suspense.
Special mention needs to go to Scarlett Johansson (Janet Leigh) and Michael Stuhlbarg (Lew Wasserman) who held the supporting actor roles with such integrity that the film would not have been as convincing without them.