Warehouse 13 (2009-)
Creators: Jane Espenson, D. Brent Mote
Stars: Eddie McClintock, Joanne Kelly and Saul Rubinek
You may have noticed, if you have been reading my previous blogs, that I like a little bit of crime thriller/sci-fi action. This is true whether in film or TV. I think it’s because I wish I had a more exciting life and I like escaping into another kind of world and kind of thinking. Warehouse 13 caught my eye simply because it is made by the SyFy channel. It’s your average investigative agency trying to save the world kind of deal, but with a bit of a twist. It takes the myths and legends of history and takes the museum pieces we like to ooh and aah at and turns them into deadly weapons, or something like that. “Artifacts” possess a semi-magical/semi-scientific aspect that comes from the great event or person they were originally attached to. For instance, a hairbrush used by Marilyn Munroe turns people’s hair blonde. Okay so that one is less deadly than just a bit weird and strange, but the agents in Warehouse 13 track down these artifacts, neutralize them, and then pack them away so no one can use them for evil. You get the idea I hope.
I’ve only watched the first two seasons so far and I’ve enjoyed them for the most part. It’s not a serious or completely dramatic sci-fi show, it has it’s humourous moments. The characters are interesting and have complex pasts which makes them carry enough weight for me to continue to watch to find out where they end up. The stories can be a little far-fetched but then again it is science fiction, not everything is meant to be completely realistic. I find it hard to review because there is a level at which I really like the show, but there is also a level at which I think it could be so much better than it is. The cheesiness of some of the humour is a little unbearable at points but it does fit with the characters so maybe it’s the characters who need improving? Or maybe it’s that the scripts aren’t written well enough for the characters to be brought to life and be coherent with the humour? Or maybe it’s the direction of particular episodes? Or maybe it’s the fact that they try and bring H.G. Wells to life as a woman? I don’t know exactly what it is but there are bits and pieces that leave me a little disappointed with it.
Even saying that though I will get stuck into the third and fourth season as soon as I can get my hands on them. For nothing other than the character of Claudia Donovan who I love and I wish I was like.